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Anyway, I plan on updating both guides with new info so feel free to check back regularly! I was originally thinking of just adding the information to this article but this one has apparently gotten so long that I’m getting a ton of lag when I’m editing it through our content management system. I was originally thinking of just adding the information to this article but this one has apparently gotten so long that I’m getting a ton of lag when I’m editing it through our content management system. status effects, elemental attacks, etc.) You can find the list under the section “ Acquiring Monsties.”Īlso started working on a separate Monster Hunter Stories Armor and Weapon Guide. The list also includes retreat probability rates for Paintballs for each Monstie as well as extra actions you can take to increase the chances of them running back to their Monster Den (e.g. UPDATES: The guide now has a complete list of all Monsties, including the locations for the actual monsters as well as where to get their Monstie eggs. Follow Technobubble poobah Jason Hidalgo’s shenanigans on Twitter or his Tabiasobi Youtube channel. Skilfully directed by James Larking and dramatically lit by Tim Speechly, this was riveting theatre.Technobubble covers games, gadgets, technology and all things geek. It raises moral and ethical issues that are both sensitive and emotive that divide public opinion and, indeed, the audience as we are invited to give our verdict at the end of the play. The whole subject of euthanasia is highly controversial, as recent high-profile news events have proved. There is also good support from Simon Murray, Mary Lincoln and Shaun Morton. Royce Mills as the Judge has the unenviable task of keeping Highwood in check as he challenges the whole British legal system and is in danger of being found guilty of contempt of court.Ĭarol Starks convincingly plays the distraught mother Jean who hides a dark secret and is desperate to support her husband, and their love for each other is palpable as they are forced to make life-changing decisions.ĭavid Michael does a fine job as the affable solicitor trying to guide and cajole Highwood throughout the trial. The cross examining is electrifying, like two boxers sparring with each other with Conti at one moment assured and confident and then breaking down into tears as the horrific, harrowing details of the baby’s death are painstakingly revealed by the prosecution. Highwood hopes that the jury will find him guilty of the lesser charge of manslaughter but the shrewd prosecuting Queen’s Counsel, the excellent Elizabeth Payne, is a perfect foil for Highwood’s controversial defence and is determined to convince the jury that the only possible verdict is murder. This is a captivating theatrical device that draws you into the action of the play. Janet Bird’s impressive set design faithfully recreates the interior of a Crown Court and it soon becomes clear that we, the audience, are in fact the jury.
Highwood pleads guilty to the murder and acts as litigant-in-person, defending himself, which, many would say, was either a courageous or a dangerous decision. James Highwood, superbly played by Tom Conti, is a successful crusading television journalist who is accused of murdering his severely-disabled and brain-damaged nine-month-old baby. Terence Frisby’s gripping courtroom drama Rough Justice is an intriguing and thought-provoking play.
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